This rich and profound concept points to a central, universal human experience that has become particularly relevant in our time. The theme encourages artists to explore the many intertwined layers of shelter through the language of ceramics. The approach may begin with the most tangible forms of physical shelter: the idea of home, dwelling, or protective structures. It may also appear as the ancient archetype of the life-preserving vessel that stores food and water, or as building materials—brick, tile, ceramic elements—that create physical safety. At the same time, shelter can also be personal and psychological: a space of inner peace, creative retreat, or intimate processing of trauma. The form, weight, and texture of a ceramic object may evoke feelings of comfort, protection, or even confinement, functioning as a kind of psychological shield.

Today, the concept inevitably connects to major social and political issues of our time: migration, statelessness, and the protective force of cultural identity and community. 

An artwork may reflect on the physical and mental realities of borders, or on the artist residency itself as a temporary sheltering community. It may also extend to the increasingly urgent topic of ecological shelter, examining our planet as a fragile, shared home and the pressures of displacement caused by climate change.

The aim of the symposium is for participating artists to respond to the theme “Shelter” in the broadest possible sense. They are encouraged to choose an aspect that resonates with them, drawing from their own life experiences, cultural background, and artistic interests. Whether through an abstract form, a figurative work telling a personal story, or an installation functioning as social commentary, the goal is to foster diverse, thought-provoking, and deeply human artistic responses.

We trust that the theme will serve as an inspiring starting point for all invited artists and provide space for a wide range of personal creative expressions.